开幕酒会: 2007年1月28日 下午3点
展览时间: 2007年1月28日 — 2007年3月11日
展览地点: 空白空间 北京
开馆时间: 星期二至星期天12:00 - 18:00
Opening Reception: January 28th, 2007, 3 pm
Date: January 28th, 2007 – March 11th, 2007
Venue: WHITE SPACE BEIJING
Opening hours: Tuesday - Sunday, 12 - 6 pm
在中国当代艺术中，秦凤玲是一位鲜为人知的女艺术家，但是她的绘画创作早在1985年就开始了。在20多年的时间里，她积累着对于艺术的自信和对生活的敏锐感悟，用自己独特的表达方式默默地画着自己想要的画。
秦凤玲绘画语言的独特性就在于她对绘画材料（布面丙稀）的娴熟运用。她把颜色瓶里的颜色直接挤在画布上，巧妙塑造成她需要的各种各样的立体形象，然后又在各种各样的立体形象上画上她所需要的细节。此时，传统绘画语言的造型、笔触、素描和构图已在她的绘画中完全消失，而丙稀颜料所形成的立体状态赋予平面绘画以一种三维雕塑感，让人在观看时有情不自禁去触摸的欲望，正是这种“有触觉感的视觉”构成了秦凤玲的作品在绘画视觉意义中的“新”。
当然，秦凤玲并非只关注绘画形式语言，她的绘画内容涉及社会事件、城市生活、人物、动物、自然风景等一切和画家本人的生存状态相关的主题。不同的是，她将这些往往是严肃、沉重的社会内容或生活内容，通过不断复制、排列、组合的演绎方式，使其符号化和图案化，成为轻松、鲜活、生动和幽默诙谐的形象，让人为之会心一笑。
二十年的积淀在秦凤玲绘画上迸发出的自由、想象、天赋和个性，在中国当代绘画被预言将要走向“尽头”的今天，无疑将会带给我们对架上绘画的全新感受。
In the world of Chinese Contemporary Art, Qin Fengling is a female artist known by very few people, although her artistic production began in 1985. During the past 20 years, she enhanced her confidence in arts and her keen apperception of life. She paints images of her own, silently developing an unique artistic expression.
The singularity of Qin Fengling’s artistic language lies in her adept use of the acrylic. She squeezes the pigment directly on to the canvas, subtly shaping the three-dimensional figures she needs and then adding details with the brush. Configuration, brush, drawing and composition – the traditional elements of painting language – have all disappeared. The multidimensional states formed by acrylic endow the plane painting with a feeling of three-dimensional sculpture. While contemplating the paintings, people sometimes feel the need to touch them. It is this “haptical vision” that composes the “innovation” of Qin Fengling’s painting in terms of visual art meaning.
Certainly, Qin Fengling is not merely focussed on the artistic language, the contents of her paintings concern themes like social events, city life, people, animals and natural sceneries that are closely related to the living situation of the artist herself. What makes the difference is that she symbolizes these social or living contents, which are always serious, to become easiest, vivid and humorous figures through reduplicate copying, arranging and combinating, making us smile.
Today, when Chinese contemporary paintings are predicted to go to an “end”, the ebullition of freedom, imagination, genius and character of Qin Fengling’s paintings doubtlessly bring us a totally new feeling for paintings.
责任编辑: 文章录入: 798arts
