这个作品的出发点是怎样将《带孔的盒子》的体验转化为一个传统剧场里的作品，即演员在台上表演，观众在台下观看。其中涉及的主要问题是：演员与观众之间的界面如何成为一个存在？传统剧场空间和设置里的感受和理解是如何出现的？怎样传达或主导这种理解？艾夫道尔将主持一个对新媒体使用，主要是影像的使用，当然还有他作品核心的当代舞蹈的广泛研究，重点关注技术如何承担起日常生活、情感和理解的中间手段或媒质这个问题、技术如何在观众与演员之间提供了一个直接的、无间的隐匿的关系？或者换句话说，我们如何使用技术创造了一种无间的新形式？
时间：2006年7月14日、15日 晚上 8：30
门票：70元 预订票及学生票：50元
咨询电话：64382797 64379737 84564949
★ Theatre in Motion and Thinking Hands/South Gate Space present “Some Notes Are”, a multimedia contemporary dance performance by Deep Blue (Norway/Japan/Belgium)
The main figure of the Deep Blue collective is Heine Røsdal Avdal, Norwegian dancer and choreographer. He studied dance at the Statens Balletthøgskole in Norway and choreography in the prestigious P.A.R.T.S. institute in Brussels. He has performed all over the world with Damaged Goods, Meg Stuart’s (US) contemporary dance company that he joined in 1997. From 2000 on, he creates his own work. In 2003 Avdal sets up the Deep Blue collective with dancer Yukiko Shinozaki (also ex-Meg Stuart) and sound artist Christophe De Boeck.
“Some Notes Are” is the result of a three weeks residency in Bejing. The starting point for “Some Notes Are” is the interest in how to transfer the “Box with holes” experience (Interractive Video Installation at Thinking Hands / June 22-25) from an installative setting into a classic conventional theatre setting with a performer on stage and spectators sitting in audience seats. Some of the main questions involved are: How does an interface between spectator and performer come into being? How does perception occur in a classical conventional theatre space and setting? How to manipulate this perception?
Date : July 14 & 15, 8 pm
Venue : South Gate Space, Dashanzi Art District
Tickets: RMB 50 : advance booking and student ID / RMB 70 : at the door
Tickets and Venue Information: 6438 2797 (Thinking Hands) 64379737 84564949
责任编辑: 文章录入: 798arts
